
Portraits, figures and gardens. Some in digital paint, some in acrylic laid on thick enough to cast a real shadow.
She paints people, and then she paints what they are holding.
Smoke, moths, threads, light, other faces. The portraits come first and they come from color: reds set against teals, gold against olive, a face assembled out of splatter and gesture that resolves into someone you are sure you have met.